Teenage Jesus pushed the anything-goes/anyone-can-do-it philosophy of punk about as far as it would stretch without breaking. Formed in 1976 by onetime CBGB waitress Lydia Lunch and saxophone/conflict artist James Chance, TJ & the Jerks went beyond minimalism and atonality into what Lunch proudly called “aural terror”; the band cranked up a musical death knell over which she screamed her lyrics of fear, pain and unpleasantness. After Chance quit to form the equally abrasive but funkier Contortions, the Jerks soldiered on as a trio, leaving their sonic bloodbaths on the No New York anthology and the two Bob Quine-produced singles (“Orphans” and “Baby Doll”) preserved on the 12-inch pink vinyl 1979 EP. (The group also issued a three-song 12-inch on ZE.) Lydia ranks as one of the most creatively untalented guitarists of all time; her blistering walls of noise, while completely lacking in melody or taste, possess an unremitting atavistic ferocity. Never a band to waste the audience’s time, Teenage Jesus specialized in 20-second songs and ten-minute sets (which some witnesses still considered about nine minutes too long.)
The double-album Hysterie compilation contains an entire side of Teenage Jesus & the Jerks: a ten-track onslaught that pretty much recapitulates the group’s oeuvre, some of it in glorious live-at-CBGB sound. Lunch went on to numerous other bands and musical alliances. Drummer Bradley Field popped up briefly as a bongo player for the Contortions; bassist Jim Sclavunos became the drummer in two of Lydia’s subsequent bands, Beirut Slump and 8 Eyed Spy.