I had a brief infatuation with HIM a few years ago, back when I was desperately searching for the follow-up to Sisters of Mercy's
Vision Thing Andrew Eldritch refused to make. HIM (which allegedly stands for His Infernal Majesty) made a record called
Razorblade Romance that was full of gloriously overblown, campy goth metal "love songs" (a la "Join Me in Death," "Your Sweet Six Six Six," "Poison Girl") and a hard rock cover of Chris Isaak's "Wicked Game." For a while I really enjoyed it, as silly as it all was. I also bought another record of theirs (title forgotten at this point) that overall was pretty blah, but had a great song called "Salt in My Wounds."
Unsurprisingly, though, I tired of it all eventually. The nail in the coffin, though, was the album
Dark Light, from which "Wings of a Butterfly" comes. It was the band's first album released simultaneously on the major label in the States and in the band's home country of Finland. It's a classic example of major label sell-out, with the metal edges dulled, the gothic atmosphere dissipated and nothing left but bad 80s power balladry. It's not even good cheese. I think it went gold here, though, so mission accomplished, I guess.
I abandoned HIM after that. I moved on to their countrymen the 69 Eyes, hoping they'd provide me with the gothic hard rock thrills the Sisters still won't provide. But the Eyes are even worse than HIM - flaccid hard rock hooks, vampire lyrics beyond camp, sung in a voice so stereotypically gothic it should come in a white package adorned with nothing but a barcode.
HIM and the 69 Eyes are both major stars in their own country. (Given the huge success of the gothic prog metal of their fellow Finns Nightwish, I guess goth metal is the Finnish's thing.) HIM is big in Germany as well.
I've resigned myself to just listening to
Vision Thing over and over when I want hooky goth hard rock - clearly only the Sisters knew how to get it right.