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        <title>Topper vs. DJ Bonebrake</title>
        <description>Inspired by the comments on other threads about the great drummers and convinced that we can never have enough silly lists on this board, how about a list of the best drummers in punk/rock/new wave/alternative/whatever? Leaving aside obvious oldies like Moon and Bonham and Ginger Baker, here&#039;s a few off the top of my head:

Topper Headon, Clash
DJ Bonebrake, X
Damon Che, Don Caballero/Bellini
Rey Washam, Scratch Acid/Rapeman
Peter Moffett, Gov&#039;t Issue/Burning Airlines
John Wright, Nomeansno
Stewie Copeland, Police
Mac Macneilly, Jesus Lizard/86
Dave Grohl, Scream/Nirvana/Foo Fighters/QOTSA
John McEntire, Bastro/Tortoise/a thousand others

I&#039;m sure I&#039;m leaving out some obvious ones....</description>
        <link>https://trouserpress.com/forum/read.php?1,3892,3892#msg-3892</link>
        <lastBuildDate>Fri, 13 Mar 2026 11:43:13 +0000</lastBuildDate>
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        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,15213#msg-15213</guid>
            <title>Re: scream</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,15213#msg-15213</link>
            <description><![CDATA[ Apparently The Who were sniffing around Midnight Oil&#039;s Rob Hirst in the &#039;80s. He&#039;s pretty amazing to watch.]]></description>
            <dc:creator>Aitch</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Sat, 02 Aug 2008 07:20:36 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,15210#msg-15210</guid>
            <title>Re: scream</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,15210#msg-15210</link>
            <description><![CDATA[ drummers not mentioned yet - 2 that totally motivated me to play:<br />
<br />
Robert Gotobed (wire)<br />
+ <br />
David Narcizo (throwing muses)<br />
<br />
both whipped up some seriously complex rhythms <br />
<br />
for power:<br />
Gabe Katz (Blind Idiot God)<br />
<br />
and taking it ol&#039;school:<br />
<br />
Art Blakey]]></description>
            <dc:creator>mjm716</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Sat, 02 Aug 2008 06:33:34 +0000</pubDate>
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        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,15044#msg-15044</guid>
            <title>Re: scream</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,15044#msg-15044</link>
            <description><![CDATA[ Clem Burke is God.]]></description>
            <dc:creator>blasmo</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Mon, 21 Jul 2008 20:43:45 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,15042#msg-15042</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,15042#msg-15042</link>
            <description><![CDATA[ &gt; Stewart Copland live always seemed the need to show-off.<br />
<br />
That may have been true in his post-Police efforts ... and heck,  maybe in his pre-Police efforts, for all I know. But to me, it was a different story in The Police.<br />
<br />
Sting may have provided the songs and the voice, but his bass playing was more of an anchor role. Andy Summers was sort of a &quot;watercolorist&quot; on guitar, adding washes of sound. When it came to instrumental prowess, Stewart was the &quot;front man&quot; of the band.<br />
<br />
Of course, the mark of a truly great band is that every member knows his role, and the parts fit together right. That&#039;s a big part of why The Police became so renowned as a band ... and why the post-Police efforts of all three members, from Sting on up, just haven&#039;t scaled those heights.<br />
<br />
]]></description>
            <dc:creator>Delvin</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Mon, 21 Jul 2008 17:06:45 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,15036#msg-15036</guid>
            <title>Re: scream</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,15036#msg-15036</link>
            <description><![CDATA[ clem burke.]]></description>
            <dc:creator>STEVE</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Mon, 21 Jul 2008 04:05:04 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,15035#msg-15035</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,15035#msg-15035</link>
            <description><![CDATA[ Glad someone mentioned JJ Burnel.<br />
Can&#039;t believe the absence of Sly And Robbie here.]]></description>
            <dc:creator>Aitch</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Mon, 21 Jul 2008 03:26:03 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,15004#msg-15004</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,15004#msg-15004</link>
            <description><![CDATA[ Yeah, I&#039;m finishing up the first draft of my manuscript (The Words and Music of Van Morrison). No firm date yet, but I&#039;m hoping summer of &#039;09. Depends on the editing and back-and-forth on the  back end with my publisher (Greenwood/Praeger).<br />
<br />
<br />
<br />
Post Edited (07-18-08 11:07)]]></description>
            <dc:creator>erikalbany</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Fri, 18 Jul 2008 18:04:55 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,15003#msg-15003</guid>
            <title>Re: 80&#039;s Van</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,15003#msg-15003</link>
            <description><![CDATA[ That&#039;s a really insightful take on Common One. I actually happen to like Common One much better than most people and still listen to it. I wish that &quot;Scandinavia&quot; appeared on that album. You&#039;re right about the production too--&quot;Wavelength&quot; (from the late &#039;70s)  is a great song, as witnessed by the 1980 Montreux performance. But on the recording, it&#039;s hampered by a dated sound.<br />
<br />
<br />
<br />
Post Edited (07-18-08 16:55)]]></description>
            <dc:creator>erikalbany</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Fri, 18 Jul 2008 18:01:42 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14998#msg-14998</guid>
            <title>Re: scream</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14998#msg-14998</link>
            <description><![CDATA[ I agree with your observation for the most part, but I was re-listening to parts of Madonna&#039;s Like A Virgin LP as part of an 80&#039;s mix list and thought that most of the songs on there succeed because of the backing band: most of the former Chic., esp. Tony Thompson, who was another one of the great drummers of all time. Material Girl really hits hard because of this, and I don&#039;t think it would work as well without him. <br />
<br />
Even ABC&#039;s Alphabet City works pretty much because of Thompson and Bernard Edwards.<br />
<br />
So I think the rule could be amended to be the &quot;If the backing band includes members of Chic, The Attractions, or The Egyptians (Morris and Andy!), then the song is improved&quot; rule. <br />
<br />
Damn, I cannot sleep lately, and that leaves me too much time to think.<br />
David]]></description>
            <dc:creator>blasmo</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Fri, 18 Jul 2008 16:08:27 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14996#msg-14996</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14996#msg-14996</link>
            <description><![CDATA[ Really late on this, but I&#039;ll try not to duplicate:<br />
<br />
I used to be a professional percussionist, and played a lot of gigs in the OKC area, both as a rock drummer, jazz drummer and vibes player. The rock because I could bash and smash and read music (so I could sight read and replace anyone who needed to miss a gig, and the jazz because I was trained for it, though I was a better mallet player in that style. I say former percussionist because I gave it up to get a film degree, but that&#039;s a different story.<br />
<br />
Truthfully, my brother is an amazing rock drummer, one of the best. If he hadn&#039;t gotten stuck here in Oklahoma, he might have had a chance. See The Candyguns website for more info. I am not exaggerating here.<br />
<br />
John Badanjek -- Mitch Ryder&#039;s old drummer.<br />
Any of Zappa&#039;s drummers, who always knew how to balance technique and power. <br />
<br />
Stewart Copland always seems like he wants people to remember that he was talented, too. I admire his playing, but I remember that band Animal Logic he was a part of, with Stanley Clarke, and he always overplayed there. I can imagine that being stuck behind Mr. Sting might make you want to grab some attention, though.<br />
<br />
I always thought INXS&#039; drummer was much better than his band. <br />
<br />
Colin Moulding was an underrated bass player, as was Terry Chambers (&quot;pea-soup! pea-soup!&quot;) as a drummer.<br />
<br />
Cheers.<br />
<br />
Let me amend this. Stewart Copland live always seemed the need to show-off. After re-listening to some Police this morning, I remember that I had seen him play live 3-4 times when I came up with this opinion. Not that he&#039;s any less of a drummer for it, but sometimes he seemed to overwhelm the song. Great drummer, for sure.<br />
<br />
<br />
<br />
Post Edited (07-18-08 09:02)]]></description>
            <dc:creator>blasmo</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Fri, 18 Jul 2008 13:06:29 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14995#msg-14995</guid>
            <title>80&#039;s Van</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14995#msg-14995</link>
            <description><![CDATA[ It gets even worse on <i>Inarticulate Speech Of The Heart.</i><br />
<br />
Which is a shame, cause when you hear those songs live [[i]Grand Opera House[/i]] or re-cut with the Chieftans, or taken out of their albums and compiled beside better songs, you realize the writing was as good as ever.<br />
<br />
What I do give Van alot of credit for is that, when you hear that gauzey, synth production in the context of, for example &quot;When Heart Is Open&quot; (from <i>Common One</i>,) it seems like he may have had a genuine interest in Ambient music at the time. As I&#039;ve said before, <i>Common One</i> is the missing link between James Brown and <i>Music For Airports.</i><br />
<br />
[Eno producing Van- that I&#039;d like to hear]]]></description>
            <dc:creator>M. Johnson</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Fri, 18 Jul 2008 08:05:52 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14994#msg-14994</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14994#msg-14994</link>
            <description><![CDATA[ Erik, I think you mentioned it previously, but you are writing a book on Van the Man? When is it coming out? How about a book about Blotto afterwards?]]></description>
            <dc:creator>diskojoe</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Fri, 18 Jul 2008 03:41:39 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14993#msg-14993</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14993#msg-14993</link>
            <description><![CDATA[ I was listening to Van Morrison&#039;s &quot;Beautiful Vision&quot; album (1982)--not by choice--and there is a lot of that prototypical sound I&#039;m talking about, particularly on &quot;Cleaning Windows&quot; and &quot;Dweller on the Threshold.&quot;]]></description>
            <dc:creator>erikalbany</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Fri, 18 Jul 2008 01:00:29 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14991#msg-14991</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14991#msg-14991</link>
            <description><![CDATA[ But even that crap managed to churn out the Deftones, who are great.<br />
<br />
Even the most worthless genre seems to produce at least one gem.]]></description>
            <dc:creator>breno</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Thu, 17 Jul 2008 23:48:55 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14990#msg-14990</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14990#msg-14990</link>
            <description><![CDATA[ &gt; Actually, my attitude towards hair metal in general has softened over the years.<br />
<br />
If we had known what sort of horrible ugliness the whole hard-rock scene was going to produce a decade or so later, we might have embraced hair metal. A lot of those &#039;80s bands, at their best, could bring some decent songs to the table. Actual songwriting was all but forgotten in &#039;90s post-grunge hard-rock/heavy metal, in favor of pounding beats, a lot of enraged screaming, and TRULY unlistenable guitars.<br />
<br />
&gt; After nearly two decades now of not being bombarded with it anymore, it&#039;s much easier<br />
&gt; just to see it as a goof and to have a live and let live attitude towards it.<br />
<br />
That&#039;s a big part of my point. Some time around 1996, the monstrous beast of hard-rock squatted down with much discomfort and took a gigantic shit, and expelled out Limp Bizkit, Korn, Godsmack, Disturbed, Static X, and a lot of other disgusting bands. I heard all their crappy music and thought, &quot;Jeez, when did rock stop being fun?&quot;<br />
<br />
<br />
<br />
Post Edited (07-17-08 16:08)]]></description>
            <dc:creator>Delvin</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Thu, 17 Jul 2008 23:04:42 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14989#msg-14989</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14989#msg-14989</link>
            <description><![CDATA[ I agree on Peter Hook, at least in regard to his bass sound, if not any particular dexterity. I&#039;ve always thought that his and Stranglers&#039; bassist JJ Burnel&#039;s &quot;lead bass&quot; sound was pretty innovative and paved the way for, say, David William Sims&#039; bass playing with the Jesus Lizard. And probably Clint Conley too, who is indeed another good &#039;un (&quot;Weatherbox&quot; is one of my favorite MoB songs).]]></description>
            <dc:creator>rhettlawrence</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Thu, 17 Jul 2008 19:50:03 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14988#msg-14988</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14988#msg-14988</link>
            <description><![CDATA[ <blockquote class="bbcode"><div><small>Quote<br /></small><strong></strong><br />Can you suggest examples of &#039;80s artists who employed guitar tones that are unlistenable today?</div></blockquote>
<br />
Any hair metal guitarist. Of course, they were unlistenable back then, too.<br />
<br />
Except Def Leppard, Enuff Znuff &amp; G&amp;R. They all had their good points.<br />
<br />
(Actually, my attitude towards hair metal in general has softened over the years. After nearly two decades now of not being bombarded with it anymore, it&#039;s much easier just to see it as a goof and to have a live and let live attitude towards it.)<br />
<br />
<br />
<br />
Post Edited (07-17-08 12:12)]]></description>
            <dc:creator>breno</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Thu, 17 Jul 2008 19:08:53 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14987#msg-14987</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14987#msg-14987</link>
            <description><![CDATA[ &gt; Was digital recording in its infancy and therefore way imperfect? Was there just a tacky,<br />
&gt; plastic aesthetic?<br />
<br />
Probably more of the second factor than the first one. Ry Cooder, for example, is an artist whom few would accuse of being &quot;tacky.&quot; He did very well with digital recording, as early as 1979.<br />
<br />
&quot;Unlistenable,&quot; of course, is subjective. Can you suggest examples of &#039;80s artists who employed guitar tones that are unlistenable today?]]></description>
            <dc:creator>Delvin</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Thu, 17 Jul 2008 19:02:23 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14986#msg-14986</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14986#msg-14986</link>
            <description><![CDATA[ I honestly think that a lot of the stigma with &#039;80s bands comes from the slurpy production ambiance of much of the recordings of that era (and the really bad fashion). Some of the guitar tones of the &#039;80s are simply unlistenable now--that can&#039;t be said of the &#039;60s and &#039;70s. What was it? Was digital recording in its infancy and therefore way imperfect? Was there just a tacky, plastic aesthetic?]]></description>
            <dc:creator>erikalbany</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Thu, 17 Jul 2008 17:54:42 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14985#msg-14985</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14985#msg-14985</link>
            <description><![CDATA[ I definitely side with Reno on the whole notion of &quot;guilty pleasures.&quot; Whether an underrated &#039;80s artist like Big Country (rest in peace, Stuart), or a sometimes-maligned act like Coldplay ... if I enjoy listening to it, I don&#039;t see why I should feel the least bit guilty about it.<br />
<br />
It&#039;s not as though my wife&#039;s going to come home and catch me shutting off the stereo abruptly, and say, &quot;You were listening to Abba again, weren&#039;t you? Jeez, you didn&#039;t even close the drapes!&quot;<br />
<br />
]]></description>
            <dc:creator>Delvin</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Thu, 17 Jul 2008 17:45:54 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14978#msg-14978</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14978#msg-14978</link>
            <description><![CDATA[ Some already mentioned, but the first ones that popped in my head :<br />
<br />
Drummers :  <br />
<br />
Jerry Nolan - Not subtle but knew how to keep it moving - especially with the Heartbreakers.<br />
<br />
Stephen Goulding (The Rumour)<br />
<br />
Reni (Stone Roses)<br />
<br />
Jody Stephens (Big Star) - Heck, for &quot;Back of a Car&quot; alone he&#039;d deserve mention.<br />
<br />
Bassists : <br />
<br />
Bruce Thomas definitely.<br />
<br />
Clint Conley - not only great in and of himself but how his playing weaves in and out of the best MOB tunes<br />
<br />
Peter Hook in his JD days<br />
<br />
]]></description>
            <dc:creator>mats84</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Thu, 17 Jul 2008 03:53:19 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14977#msg-14977</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14977#msg-14977</link>
            <description><![CDATA[ Ah, but the fallacy here is that Big Country is a guilty pleasure. Nothing to feel guilty about if a band is actually good, as Big Country were, especially on that first album.<br />
<br />
One of my pet peeves, which I have gone off about here on several occasions, is how many mid-80s bands (Big Country, OMD, Simple Minds, Tears for Fears, the Bangles) have gotten written off as guilty pleasures or MTV oddities or some such, when they were in fact damn good bands (for at least their first few albums, anyhow) and deserve to be remembered as such.<br />
<br />
I will continue to rage at the heavens about this until things are put right.<br />
<br />
And Bryzecki or however the hell you spell his last name was indeed a motherfucker. He and Tony Butler were a great rhythm section.<br />
<br />
<br />
<br />
Post Edited (07-16-08 19:14)]]></description>
            <dc:creator>breno</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Thu, 17 Jul 2008 02:07:35 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,14975#msg-14975</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,14975#msg-14975</link>
            <description><![CDATA[ Resurrecting an old thread (and possibly two - see the &quot;Guilty Pleasures&quot; thread from a few years back): while listening to one of my guilty pleasures today - the first Big Country album - I decided I needed to include Mark Bryzecki or however the hell you spell his last name on the list of the best drummers. His work with Big Country, the Cult, and Pete Townshend is some pretty great shit.]]></description>
            <dc:creator>rhettlawrence</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Thu, 17 Jul 2008 01:32:55 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,4057#msg-4057</guid>
            <title>Corporate policy, as dictated by shitbags</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,4057#msg-4057</link>
            <description><![CDATA[ John, I&#039;d like to see you in my office, please ...<br />
<br />
<br />
<br />
Post Edited (02-08-06 14:04)]]></description>
            <dc:creator>Delvin</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Wed, 08 Feb 2006 22:03:32 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,4055#msg-4055</guid>
            <title>Re: lori b&#039;s new thang</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,4055#msg-4055</link>
            <description><![CDATA[ yeeeha, just brought it up and &quot;Fuck You Shitbag&quot; starts blaring out of my office.<br />
Wonder what the corporate policy is on this one?]]></description>
            <dc:creator>madisdadi</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Wed, 08 Feb 2006 21:17:34 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,4045#msg-4045</guid>
            <title>lori b&#039;s new thang</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,4045#msg-4045</link>
            <description><![CDATA[ [<a href="http://www.myspace.com/koalasband"  rel="nofollow">www.myspace.com</a>]]]></description>
            <dc:creator>satchmykels</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Wed, 08 Feb 2006 16:50:30 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,4031#msg-4031</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,4031#msg-4031</link>
            <description><![CDATA[ can&#039;t believe i forgot one of minneapolis&#039; all-time great engine rooms...<br />
<br />
paul erickson and jeff mooridian!  <br />
<br />
<br />
john anglim&#039;s gotta make my drummer list, too!]]></description>
            <dc:creator>satchmykels</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Tue, 07 Feb 2006 23:19:02 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,4030#msg-4030</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,4030#msg-4030</link>
            <description><![CDATA[ &gt; Actually if you&#039;ve seen her play live, yeah she is a<br />
&gt; goodun.............for either gender<br />
<br />
<br />
aside from the man named mars, i&#039;ve probably seen her play more than any other drummer...<br />
<br />
only good thing i can say about her drumming, is that it&#039;s better than her singing. ;)<br />
<br />
<br />
<br />
<br />
ooooh, but kat and michelle more than made up for miss b&#039;s shortcomings!<br />
<br />
<br />
<br />
Post Edited (02-07-06 15:10)]]></description>
            <dc:creator>satchmykels</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Tue, 07 Feb 2006 23:03:47 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,4023#msg-4023</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,4023#msg-4023</link>
            <description><![CDATA[ Actually if you&#039;ve seen her play live, yeah she is a goodun.............for either gender]]></description>
            <dc:creator>madisdadi</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Tue, 07 Feb 2006 19:01:31 +0000</pubDate>
        </item>
        <item>
            <guid>https://trouserpress.com/forum/read.php?1,3892,4022#msg-4022</guid>
            <title>Re: Topper vs. DJ Bonebrake</title>
            <link>https://trouserpress.com/forum/read.php?1,3892,4022#msg-4022</link>
            <description><![CDATA[ &gt;Graham Maby (Joe Jackson band)<br />
&gt;Bruce Foxton (The Jam)<br />
<br />
I can&#039;t believe you mentioned these two guys and not Bruce Thomas from the Attractions. All three are responsible for some of the most brilliant, melodic pop bass lines ever recorded. <br />
<br />
Great list, though, overall.]]></description>
            <dc:creator>scratchie</dc:creator>
            <category>Trouser Press</category>
            <pubDate>Tue, 07 Feb 2006 18:46:23 +0000</pubDate>
        </item>
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