Devo has devolved from an active band into Jerry Casale, who would like to continue Devo’s musical legacy, and the Mothersbaugh brothers, who appear happy to let it be. An interview with the band’s visionary bassist.
In late 1975, two Trouser Press writers brought Tom Verlaine of the then-unsigned band Television up to their apartment for an interview. This hour-long conversation has never previously been published. Here, it is accompanied by an introductory essay by the novelist Bruce Bauman as well as audio clips from their conversation.
Paul Gorman’s chronicle of the music press augments his 2001 oral history but again does not bring the story into the 21st Century.
For the past 35 years or so, guitarist Jimi Hazel has been leading 24-7 Spyz, a New York band that plays a fluid mixture of metal, funk, R&B, reggae and rock with both confidence and skill. In 2019, the “heavy metal soul pioneers from the Boogie Down Bronx” returned with The Soundtrack to the Innermost Galaxy, an eclectic style-jumper of instrumental virtuosity, heavy power, upbeat positivity and stirring commentary.
A collaboration between Robert Downey Jr. and his dad, “Sr.” is a father-son movie about making a father-son movie, a loving but tentative pas de deux between a cocky superstar who normally doesn’t take shit from anyone and the genial white-haired joker to whom he naturally defers.
A new documentary turns a much-needed spotlight on a band whose many hits are suffused deep and wide into the soil of American music, but one that has long been taken for granted, underrated even. Ironically, the bludgeoning familiarity of John Fogerty’s Creedence songbook has had, with time, the effect of obscuring the diversity and economy of his amazing creative run through the Woodstock era.
With Pavement on the road again, here’s a 1997 profile of the band by Ira Robbins.
The sway that avant-garde jazz held over the Stooges went beyond sonic influence. John Coltrane’s wild sax playing inspired Iggy’s dancing. “I was at my manager’s flat, and played this record…it was John Coltrane. It scared me at first, and really annoyed me…it took me months to get next to that…I thought, ‘Wow, how could I do that?’ I thought…I can’t play an instrument like that, but maybe I could do it with my body when I sing.”
Founded in 1981 by Roger Shepherd, Flying Nun Records set out to document the rock scene in the New Zealand cities of Dunedin and Christchurch. Starting with the Pin Group’s “Ambivalence” single, the label has survived for more than 40 years, with hundreds of releases to its name.
In the second part of our interview, Dave Robinson shares Stiff stories — how it began, how it ended — and why he’s excited about prison.
An in-depth interview with the Irish impresario about his encounters with the Beatles, Van Morrison; Ireland’s first psychedelic band (or one of them) and the Jimi Hendrix Experience.
What hath Tame Impala wrought? A deep dive into the soft weird underbelly of current Australian neo-psychedelia, from King Gizzard and Hiatus Kaiyote to Rolling Blackouts and Tropical Fuck Storm.
Shot by Barbara Wolf on Super 8 from an orchestra seat at Madison Square Garden in NYC. Don’t know which one of the four shows it was. These three reels have been sitting in a box in a series of closets for 48 years, and I just thought to have them digitized. For more Who…
Nell Davies is a singer, songwriter and guitarist from rural Cornwall. Already in her 40s, she started making music in late 2020 after reading Viv Albertine’s memoir inspired her to buy a guitar and begin writing songs. She records in a converted pigsty and produces herself. “Happy Birthday” is her fourth single.
Poly Styrene stormed her way into punk greatness with the opening lines of X-Ray Spex’s first single.
Her band’s 1978 album, Germfree Adolescents, is a classic, avoiding the genre’s traps and standing out through Styrene’s voice and perspective (as well as the unusual choice of including a saxophone in the mix.)
From 1992: It’s been ages since anyone over the age of 12 expected perfection from a rock’n’roll band, but the members of R.E.M. have managed to become Genuine Rock Gods without making a public nuisance of themselves.
In this previously unpublished interview from 1975, Dave Schulps meets up with two principals of the enigmatic but often wonderful Stackridge and learns about Mr. Mick, George Martin, garbage bin lids, the Korgis and a dance called the Stanley.
In September 1989, the week Tears for Fears released their third album, The Seeds of Love, I interviewed both members of the duo separately for a Rolling Stone feature headlined “Fear of Finishing: How Tears for Fears Took Four Years to Sprout The Seeds of Love.” (Had an editor pored over my interviews, the title might well have included the word “Fussy.”) This interview with Curt Smith details the making of that album.
I’ve been doing a lot of reflecting on the past these days. I’ve also been thinking about records and the stores where I used to buy them. Despite streaming, rents, corruption, consolidation, an epidemic and other deleterious factors, New York still has a number of going concerns, but I recently got it in my head to see what became of the places that are now gone.
While I’m not sure what value these pictures of places that used to house New York City record stores hold, some mixture of nostalgia and curiosity got me out of the house to go photograph them.
In a never-before published article written in 1976, Pete Silverton gets up close and personal with Joe Strummer and the band that preceded the Clash. “The main reason for seeing the 101’ers is the short stocky guy with cropped dark hair intent on further mutilating his already near-to-death Telecaster — Joe Strummer.”
