When English singer/producer Sophie Xeon fell from the roof of her house on January 30, 2021, she left behind a small body of work released under her own name: a singles compilation, a studio album and a collection of remixes from it. She had come full circle by releasing a 12-inch single of Autechre’s remix…
The Japanese collective After Dinner, which included ten musicians, could come up with more ideas in a four-minute song than most bands bring to an entire album. While their music is difficult to classify, it shared a kinship with the avant-prog Rock in Opposition (RIO) movement formed by Henry Cow, as well as the jumpy…
Like Lana Del Rey and Billie Eilish, Lorde’s music exists in a space where genre divisions don’t much matter. Neither does the distinction between “mainstream” and “indie” (that’s a stylistic valuation rather than a corporate one: all three artists are signed to branches of Universal Music Group.) “Royals,” her breakthrough single, recorded when the New…
These folks either wrote reviews that appear on the site or wrote for Trouser Press magazine. If anyone listed below cares to E-mail us with a link you’d like added, just let us know. And ditto if anyone is AWOL from this list. Grant AldenDavid AntrobusJem AswadTroy J. AugustoMichael AzerradCary BakerMichael BakerEmily BeckerSeth BenderJohn BergstromArt…
Director Julien Temple talks about his new Shane MacGowan documentary, Crock of Gold. “Shane talking to other people he knows or respects gave us a more scattershot approach. We shot him and Johnny [Depp] for eight hours and probably only got three or four minutes out of it. But it was spontaneous and uninhibited.”
Poly Styrene stormed her way into punk greatness with the opening lines of X-Ray Spex’s first single.
Her band’s 1978 album, Germfree Adolescents, is a classic, avoiding the genre’s traps and standing out through Styrene’s voice and perspective (as well as the unusual choice of including a saxophone in the mix.)
The new documentary film White Riot covers the first two years – 1976 to 1978 — of the British activist organization Rock Against Racism. Director Rubika Shah’s style, which incorporates animation and quick edits, builds on the energy of the punk scene and includes plenty of exciting music.
Founded in 1981 by Roger Shepherd, Flying Nun Records set out to document the rock scene in the New Zealand cities of Dunedin and Christchurch. Starting with the Pin Group’s “Ambivalence” single, the label has survived for more than 40 years, with hundreds of releases to its name.
“I remember being an 18-year-old in New York coming to Other Music for the first time and being intimidated by the fact that I didn’t recognize 90% of the names on the bin cards. But that didn’t keep me from coming back. I wanted to find out who they were.”
Paul Gorman’s chronicle of the music press augments his 2001 oral history but again does not bring the story into the 21st Century.
