Arthur Brown Is Back!
Ira Robbins podcast interviews
Colored Vinyl: A Chronological Survey
French indie rock pix
The Beatles. Really?
“The bible of alternative rock”
More than a decade after the magazine ended its ten-year run, Trouser Press went online in 1997. In 2002, we consolidated the contents of five Trouser Press Record Guides on a new site, now an ongoing music journal with reviews, articles, a complete Trouser Press magazine archive, photo gallery, videos and a forum for sharing your thoughts.
Check out Trouser Press Books here.
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- Souvenir From a Dream: Memories of Tom VerlaineIn late 1975, two Trouser Press writers brought Tom Verlaine of the then-unsigned band Television up to their apartment for an interview. This hour-long conversation has never previously been published. Here, it is accompanied by an introductory essay by the novelist Bruce Bauman as well as audio clips from their conversation.
- Reading About WritingPaul Gorman’s chronicle of the music press augments his 2001 oral history but again does not bring the story into the 21st Century.
- Inscribed in Rock: Jimi Hazel’s Mt. RushmoreFor the past 35 years or so, guitarist Jimi Hazel has been leading 24-7 Spyz, a New York band that plays a fluid mixture of metal, funk, R&B, reggae and rock with both confidence and skill. In 2019, the “heavy metal soul pioneers from the Boogie Down Bronx” returned with The Soundtrack to the Innermost Galaxy, an eclectic style-jumper of instrumental virtuosity, heavy power, upbeat positivity and stirring commentary.
- The Senior Class: Robert Downey and “Sr.”A collaboration between Robert Downey Jr. and his dad, “Sr.” is a father-son movie about making a father-son movie, a loving but tentative pas de deux between a cocky superstar who normally doesn’t take shit from anyone and the genial white-haired joker to whom he naturally defers.
- Creedence Clearwater: RevivedA new documentary turns a much-needed spotlight on a band whose many hits are suffused deep and wide into the soil of American music, but one that has long been taken for granted, underrated even. Ironically, the bludgeoning familiarity of John Fogerty’s Creedence songbook has had, with time, the effect of obscuring the diversity and economy of his amazing creative run through the Woodstock era.